Full Metal Vasco comes in stages, old hits and new joy – La Stampa

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Full Metal Vasco comes in stages, old hits and new joy

In 50000 the debut of the tour: two hours and a half of rock with acoustic interlude

Take That on stage of his tour, which he called” Vasco Live Kom 2015 “today at St. Nicholas of Bar

It is not cooked, Vasco, indeed. It is not cooked as they say his detractors sitting on the river bank with mold him now. Risen from the long illness with noticeable joy, the poet of Zocca resumed last night from Bari with energy the way of bold stadium tour, uncomfortable places that since 1989, his second home.

In a giant tangle of irons that light up with technological games from amazing kaleidoscope, elegantly arranged on a superpalco metal, the artist has put on two and a half hour concert rather metal (now more open to symphonic rock) that reproduce the songs as he survived many battles, between quotes or current period (no echo of Pink Floyd, for example) of a kind covered in glory and reserved only for inveterate dreamers or those who do not want to ever give up .

echoes Shostakovich with the mighty Zoya , and plunge with virulence of I am innocent , ironic exam consciousness that gives the title to the last album. Sure, Vasco sings with energy even amused melancholy twilight as “I do not want to live / just to keep company” ( How many times ) but lacks the verve of childish feelings that recall debuts free range. Shoot eight new songs – among which the beautiful Damn clouds , release Man simpler (the first written after the end of the disease) and the geezer treatise Futurist Manifesto on the absence of a religious belief. All talk about their good repertoire of concerns: whether and how widely shared is well told by the respectable figures of tickets sold in Bari, 50000 and 30000 yesterday evening.

A belting, under the stage, boys and gentlemen, children on the stroller and new third age (as the rest of him), with no desire to leave the young child roaring inside. An overview of the front row, in pole position at 8 am, meets only faces burned by the sun of the day, between 20 and 25. Males and females never tired and leaping up at the end, what a jump it becomes almost mandatory.

The news are mixed with classics like Deviations in punk version or We only . Banish the lies, on stage. This is apparent even from valzerone schitarrato Blues a solo guitar that “is talking about you that you just can not / to be to first / Everything escapes you and you can not breathe ». And amen.

The news is especially the interlude ‘unplugged’ that breaks in two the evening, with little pieces heard live. No danger for you … , Moon for you , Boredom , and even the remote E … leaving as depth. Moreover in many expect a whole concert unplugged, sooner or later.

The second part of “Full Metal Vasco concert,” as he called himself at the same time alluding to the stage, to his jacket and the sounds of the evening, was reassuring un’infilata of historical successes, always supported from an energetic rhythmic texture: Amazing , Some say no , Live , Angels that was missing for a long time to live.

Finalissimo, in order, with Sally , just us , The Reckoning , Albachiara . Concert at full speed thanks not just to a Vasco fun and entertaining, but also guitarists Stef Burns and Vince Pastano, low picturesque dell’ingioiellato Claudio Golinelli (called “the Keith Richards Noantri”), drummer Will Hunt of all’indiavolato Evanescence. Keyboards Alberto Rocchetti, Frank Nemola on trumpet and vocals, Andrea Graft on sax and Clara Moroni called “the Ferrari of rock ‘choirs. Triumph is an understatement.

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 06/07/2015

 

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 06/07/2015

 

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 08/06/2015

 

AFP

 08/06/2015

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